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MODERN ARCHITECTURE I semester lecture 4 1. Walter Gropius, BAUHAUS 19191933 2. Revolutionary Russia MODERN ARCHITECTURE I semester lecture 4 1. Walter Gropius, BAUHAUS 19191933 2. Revolutionary Russia – Suprematism, Constructivism

Bauhaus manifesto by Walter Gropius Lyonel Feininger “Cathedral” 1919 Bauhaus manifesto by Walter Gropius Lyonel Feininger “Cathedral” 1919

Key ideas of BAUHAUS • Unity of Creativity and Manufacturing • Linking theoretical and Key ideas of BAUHAUS • Unity of Creativity and Manufacturing • Linking theoretical and intellectual pursuits with practical skills • Emphasizing experiment and problem solving

1 st phase of Bauhaus: Weimar 1919 -1925 Directed by Walter Gropius from 1919 1 st phase of Bauhaus: Weimar 1919 -1925 Directed by Walter Gropius from 1919 -1928

Grand Ducal Saxon school of arts and crafts, Henry Van de Velde, Weimar Grand Ducal Saxon school of arts and crafts, Henry Van de Velde, Weimar

Johannes Itten, “VORKURS” From 1919 to 1922, Itten taught at the Bauhaus, developing the Johannes Itten, “VORKURS” From 1919 to 1922, Itten taught at the Bauhaus, developing the innovative "preliminary course” which was to teach students the basics of material characteristics, composition, and color

Gergard Marcks Established a ceramic workshop at the Bauhaus school Gergard Marcks Established a ceramic workshop at the Bauhaus school

Oskar Schlemmer, Head of the Theater workshop, Das Triadische Ballet Oskar Schlemmer, Head of the Theater workshop, Das Triadische Ballet

The Triadic Ballet The Triadic Ballet

Sommerfeld House, Berlin-Dahlem, W. Gropius, A. Meyer, 1920 -1922 Sommerfeld House, Berlin-Dahlem, W. Gropius, A. Meyer, 1920 -1922

2 nd and 3 rd phases: Dessau 1925 -1932, Berlin 1932 -1933 With a 2 nd and 3 rd phases: Dessau 1925 -1932, Berlin 1932 -1933 With a new building inaugurated in the industrial town of Dessau in 1925, architecture becomes part of the curriculum. Second director of Bauhaus: Hannes Meyer, 1928 -30

House Gropius, Dessau House Gropius, Dessau

UNOVIS (Utverditeli Novogo Iskusstva [Advocates of New Art], also known as POSNOVIS, Posledovateli Novogo UNOVIS (Utverditeli Novogo Iskusstva [Advocates of New Art], also known as POSNOVIS, Posledovateli Novogo Iskusstva [Followers of the New Art], and MOLPOSNOVIS [Young Followers of New Art]) was a short-lived but influential group of Russian artists founded by Kazimir Malevich

The emblem of the UNOVIS The emblem of the UNOVIS

Lamtsov. Abstractive exercise to detect the mass and weight, 1922 Lamtsov. Abstractive exercise to detect the mass and weight, 1922

SUPREMATISM Was an art movement focused on basic geometrical forms painted in a limited SUPREMATISM Was an art movement focused on basic geometrical forms painted in a limited range of clolors / Elementarism / Rationalism -- More utopian, spiritual, often mystical, abstract K. Malevich. Suprematist composition

Vicrory over the Sun, Suprematist ballet Vicrory over the Sun, Suprematist ballet

Ilya Chashnik, suprematist architectural model Ilya Chashnik, suprematist architectural model

Kazimir Malevich, Architecton Kazimir Malevich, Architecton

Theo Van Doesburg Theo Van Doesburg

ASNOVA – Association of New Architects, architectural association in the Soviet Union, which was ASNOVA – Association of New Architects, architectural association in the Soviet Union, which was active in the 1920 s and early 1930 s, commonly called 'the Rationalists'.

CONSTURCTIVISM / Productivism: -- Utilitarian, revolutionary, materialistic, engineering & construction. Sought a communitarian socialist CONSTURCTIVISM / Productivism: -- Utilitarian, revolutionary, materialistic, engineering & construction. Sought a communitarian socialist art. Tatlin Tower

Moisei Ginzburg Narkomfin House Moisei Ginzburg Narkomfin House

Zuev’s House by Ilya Golosov, 1925 -27 Zuev’s House by Ilya Golosov, 1925 -27

Konstantin Melnikov, Melnikov House Konstantin Melnikov, Melnikov House

Soviet Pavilion at the Expo in Paris 1925 Soviet Pavilion at the Expo in Paris 1925