Minimalizm Основная единица современного искусства не идея

Minimalizm Основная единица современного искусства — не идея, а анализ и расширение ощущений. Сьюзан Cонтаг Donald Judd (1928 -1994) 1967. 1950 1960 1970 1980 1

Sol Le. Witt Pavadinimas: Du atviri kubai, 1972 60 x 305 x 233 cm 2

Donald Judd 1969 3

Барбара Роуз «Искусство ABC» . Art in America, октябрь 1965 Это искусство отрицания и отречения. Такой длительный аскетизм обычно свойственен размышляющим или мистикам… Как и мистики, эти художники в своих работах отрицают эго и индивидуальность в попытке пробудить полугипнотическое состояния чистого бессознательного. Donald Judd 1967 4

Carl Andre 1976 Carl Andre 1978 5

Tony Smith 6

Sol Le. Witt 7

Sol Le. Witt 1967 -71. 8

Robert Morris 9

«What you see is what you see» звучит ставшая знаменитой тавтология, которой Стелла Frank Stella 10

Eva Hesse, 1967 11

Dan Flavin 12

Daniel Buren 13

Wall Drawings: Le. Witt creates instructions for lines and shapes to be painted directly on gallery walls. When an exhibition ends, the wall drawing is painted over. The “work of art” consists of Le. Witt’s written installation instruction and a certificate of authenticity. 14

Richard Serra 15

Richard Serra 1971 Walker Meno Centras, Mineapolis. 16

The Lightning Field, 1977, by the American sculptor Walter De Maria, is a work of Land Art situated in a remote area of the high desert of southwestern New Mexico. It is comprised of 400 polished stainless steel poles installed in a grid array measuring one mile by one kilometer. A sculpture to be walked in as well as viewed, The Lightning Field is intended to be experienced over an extended period of time, and visitors are encouraged to spend as much time as possible in The Lightning Field alone, especially during sunset and sunrise. In order to provide this opportunity, Dia offers overnight visits for up to six people during the months of May through October. 17

The New York Earth Room by Walter De Maria 250 cubic yards of earth (197 cubic meters) 3, 600 square feet of floor space (335 square meters) 22 inch depth of material (56 centimeters) Total weight of sculpture: 280, 000 lbs. (127, 300 kilos) , is the third Earth Room sculpture executed by the artist, the first 18 being in Munich, Germany in 1968. The second was installed at the Hessisches Landesmuseum in Darmstadt, Germany in 1974. The first two works no longer exist.

Walter De Maria The Lightning Field, 1977. Isolated in and interacting with the high desert of southwestern New Mexico, the sculpture consists of 400 stainless steel poles situated in a rectangular grid array one mile by one kilometer. A full experience of The Lightning Field depends upon the opportunity to view it alone or with a small group of people over an extended period of time. Dia Center for the Arts, which commissioned and maintains The Lightning Field, schedules overnight visits in advance, limiting groups to six or fewer persons. 19

Robert Smithson. Spiral Jetty, 1970, black basalt rocks, earth and salt crystals, coil: 1, 500 x 15 feet, stretching out counterclockwise into the translucent red water of Great 20 Salt Lake, UT. As yet this has not been done. Spiral Jetty was acquired by Dia Center for the Arts as a gift from the artist's estate in 1999

ХРИСТО. ВОРОТА, 2005. Центральный парк, Нью Йорк. 21

Mur de Barils de PИtrole Le Rideau de Fer rue Visconti, Parijs, 27 juni 1962 foto: Jean. Dominique Lajoux 22

ХРИСТО. ВОРОТА, 2005. Центральный парк, Нью Йорк. 23

24 Christo and Jean-Claude. Paris, 1975 The Pont Neuf Wrapped

25 Christo and Jean-Claude. Paris, 1975 The Pont Neuf Wrapped

Running Fence, 1972 -6 -- Christo 26

ХРИСТО И ЖАН-КЛОД. УПАКОВАННЫЙ РЕЙХСТАГ. Берлин 27

Концептуализм (от лат. conceptus – мысль, понятие) • Джозеф Кошут. Искусство после философии (1969): • «Основное значение концептуализма, как мне представляется, состоит в коренном переосмыслении того, каким образом функционирует произведение искусства – или, как функционирует сама культура: как может меняться смысл, даже если материал не меняется. …физическая оболочка должна быть разрушена, т. к. искусство – это сила идеи, а не материала» . 28

Joseph Kosuth, One & Three Chairs, 29 1965. sculptural installation. American.

Joseph Kosuth, Art as Idea: Nothing, 1968 30

Джозеф Кошут: «двадцатый век принес с собой то, что можно назвать концом философии и началом искусства. Само искусство — это философия, ставшая конкретной» . 31 Joseph Kosuth, Art as Idea: Nothing, 1968

32 Four Colors Four Words (1966) by Joseph Kosuth