LIGHTING DESIGN MASTER CLASS St. Petersburg, Russia June 19 -23, 2005 James F. Franklin Lighting Designer Fulbright Scholar Professor of Lighting Designer The School of Fine Arts The University of Connecticut USA
Functions of Lighting Design The Functions of Lighting Design for the Theatre Lecture #1 June 20, 2005
Functions of Lighting Design 1. Selective Visibility Where we put light and where we take light away The Character and Quality of Light Defined by the Relationship of Light and Shadow High Contrast or Low Contrast
The Man of La. Mancha for The Connecticut Opera Association Lighting Design by James F. Franklin
Mary Stuart for Рижский Русский Драматический Театр Lighting Design by Gleb Filshtinsky
Oedipus Rex for Brandeis University Theatre Lighting Design by James F. Franklin
Lucia di Lammermore for The Connecticut Opera Association Lighting Design by James F. Franklin
Siddhartha for Berkshire Theatre Festival Lighting Design by Carleton Coffrin
Functions of Lighting Design 2. Establish Mood and Atmosphere Creating a new world with Light Using the Expressive Language of Light Telling the Audience how to feel
The Magic Flute for The Connecticut Opera Association Lighting Design by James F. Franklin
Mary Stuart for Рижский Русский Драматический Театр Lighting Design by Gleb Filshtinsky
Julius Caesar for Connecticut Repertory Theatre Lighting Design by Carleton Coffrin
The Expressive Language of Light The Tools of the Lighting Designer The Intensity of the Light The Color of the Light Warm Colors Cools Colors The Texture of Light The Movement of Light The Direction of Light and Lighting Flow Choice of Key Light Strong Directional Concepts
Functions of Lighting Design 3. Telling the Story with Light Using the Expressive Language of Light Defining the Given Circumstances Where and When Progression of Light through the show. What does it tell us Where does the light take us?
The Magic Flute for The Connecticut Opera Association Lighting Design by James F. Franklin
The Magic Flute for The Connecticut Opera Association Lighting Design by James F. Franklin
The Magic Flute for The Connecticut Opera Association Lighting Design by James F. Franklin
Functions of Lighting Design 4. Composition and Focus Telling the audience where to look. Reinforcing the Actor Composition created by the director Creating Focus The compositional relationship between Scenery and the Performer Keeping the Principal Actors or Singers in the World created by the Light
Composition and Focus "Фонд поддержки Русского Мюзикла" Мюзикл “Норд Ост - передвижная версия” Lighting Design by Gleb Filshtinsky
The Crucible for Connecticut Repertory Theatre Lighting Design by Carleton Coffrin
Composition and Focus The Dresser Bolshoi Drama Theatre Lighting Design by Gleb Filshtinsky
Composition and Focus The Nose / Mariinsky Theatre Lighting Design by Gleb Filshtinsky
Composition and Focus Mary Stuart for Рижский Русский Драматический Театр Lighting Design by Gleb Filshtinsky
Siddhartha for Berkshire Theatre Festival Lighting Design by Carleton Coffrin
Functions of Lighting Design 5. Shaping the Space Expanding and Contracting the Space Creating Depth with Light and Color Arial Perspective
Creating Depth with Light and Color in Nature
Faust for The Connecticut Opera Association Lighting Design by James F. Franklin
Julius Caesar for Connecticut Repertory Theatre Lighting Design by Carleton Coffrin
Functions of Lighting Design 6. Sculpting with Light in Nature Lighting Bodies in Space Lighting the Actor Lighting the Architecture Two Dimensional Scenery Three Dimensional Scenery
Light in Nature is the best teacher of Stage Lighting Design
Light in Nature Flat uninteresting light from the front/no dimensional feeling
Light in Nature Strong Direction Warm Key Light/Cool Shadows/Sculptured with Light/3 Dimensional
Light in Nature Flat uninteresting light from the front/No dimensional feeling
Light in Nature Strong Direction Warm Key Light/Cool Shadows/Sculptured with Light/3 Dimensional
The Lighting Designer uses Light as the Sculptor uses a Chisel and Hammer to sculpt the actors body—reveal the three dimensionality of the actor
Light in Nature Strong Late Afternoon Direction Warm Key Light/Cool Shadows/Sculptured with Light/3 Dimensional
Light in Nature Strong Late Afternoon Direction Warm Key Light/Cool Shadows/Sculptured with Light/3 Dimensional
Light in Nature is the best teacher of Stage Lighting Design
Light in Nature Warm key Light/Cool Shadows/Texture
Lighting Bodies in Space The Lighting Designer uses Light as the Sculptor uses a Chisel and Hammer to sculpt the actors body—reveal the three dimensionality of the actor
Light in Nature is the best teacher of Stage Lighting Design
Lighting Bodies in Space Sculpting the Actors body with Light
Rigoletto for The Connecticut Opera Association Lighting Design by James F. Franklin
Rigoletto for The Connecticut Opera Association Lighting Design by James F. Franklin
Siddhartha for Berkshire Theatre Festival Lighting Design by Carleton Coffrin
Julius Caesar for Connecticut Repertory Theatre Lighting Design by Carleton Coffrin
Julius Caesar for Connecticut Repertory Theatre Lighting Design by Carleton Coffrin
Siddhartha for Berkshire Theatre Festival Lighting Design by Carleton Coffrin
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