f7f19e7c8c323d3f672123ece21e5e01.ppt
- Количество слайдов: 68
FORWARD SERVER FS 1000, 2000, 3000 KM 300 Technology Darim Vision Co. , Ltd. http: //darim. com http: //darim. co. kr
Forward Server Product Lines l FS 1000 (Automation & Title Server) Ingestion+Logo/Titling+APC+Playout server with Switcher and Mixer l FS 2000 (Post. Play Server) Automatic Record-edit-Rebroadcast Server in Realtime l FS 3000 (Slow Motion Server) Mainly SPORT Realtime replay Server l KM 300 (Key Machine) 2 ch. Chromakey Machine
FS 1000 Automation Server l l Automation and Title Server includes all hardware and software for building fully automated playback system Switcher+Mixer+Ingestion+Multi. Titling/Logo/PIP scheduler+TV Clock+Chromakey+Remote Control server All In One solution for Single channel full Broadcast Automation : Comes with necessary Tools for edit, Title, logo, Multichannel titling, etc. . Full H/W and S/W solutions
FS 2000 Replay Server l l l • Satelite • Analog • IP Post. Play Server allows to capture, re-schedule and playback delayed video/audio data FS 1000 + Circular Buffered Recorder + Realtime Editor. Can do Ad. / Title insertion in realtime or create schedule from remote Machine Ingest Video Real. Time Edit Video Schedule Playout with Logo Title, Clock etc FS 1000
FS 3000 Sport Slow. Motion Server l l Slow Motion Server is price effective replay machine with unbelievable fast user interface and very low price FS 2000+Multichannel Recording and Slow motion Realtime play control.
KM 200 Chromakey Server l Key Machine is 2 D virtual studio especially designed to generate good picture with bad environment (non-professional camera, bad lights, ‘stupid’ operator). Video 1 Video 2 KM 200 Avi/Picutre Keyout Video Out or Mixed Video output
FS 1000 Automation Server line l l l FS 1000 – basic automation & title server FS 1100 – FS 1000 server with web-IP information titling support FS 1200 – FS 1000 server with SMS information titling support FS 900 – Remote web-IP titling only station FS 800 – SMS titling automation only station FS 500 – capture (ingest)/preparation station
FS 2000 Replay server line FS 2000 Basic re-scheduling, automation & title server l FS 2020 Dual capture re-scheduling, automation & title server l
FS 3000 Sport Slow Motion product line FS 3020 2 channels slow motion replay server l FS 3040 4 channels slow motion replay server l
FS Server In/Out options l l l FSnnn 0 – Y/C version FSnnn 1 – YUV/RGB version FSnnn 2 – SDI version
Forward 1000 Automation Tapeless Automated Broadcast
Non-automated studio Video inputs Playback server Clock generator Logo insertion Weather report. . . Audio inputs Audio mixer + audio delay Mixer Titling server Video outputs Audio outputs
Semi Automated studio - APC server Video inputs Playback server Clock generator Logo insertion Weather report. . . Audio inputs Audio mixer + audio delay Mixer Titling server Video outputs Audio outputs
FS 1000 automated studio Forward Server APC server Video inputs Playback server Clock generator Logo insertion Weather report. . . Audio inputs Audio mixer + audio delay Mixer Titling server Video outputs Audio outputs
FS 2000 Re. Play automated studio Post. Play Server Forward Server APC server Video inputs Switcher + TBC Time shift server Titling server Clock generator Logo insertion Weather report. . . Audio inputs Audio mixer + audio delay Mixer Playback server Video outputs Audio outputs
FS 1000 Application Areas l Scheduled Advertisement insertion l Scheduled Multi-layer titling with PIP video, flash and so on “All in one” (fully integrated automation server) Ingestion+Playout+Multilayer titling +Logo + TV Clock + PIP video, Flash. . l
Other Applications of FS Servers l l l Title generation Server(with internal or external mixer usage) Scheduled video playout Server Scheduled Multi-layer titling Server Scheduled input switcher, ingestion Server Scheduled time shifter with full rescheduling/rebroadcasting of multi-channels OEM Server– selection of key component features
Typical Tasks and Problems of regional broadcasters l l l Stable On air for 24/7/365 environment Automated playback/scheduling Whole Titling and decoration Time Shift and Re-broadcasting of media (with re -scheduling) Best Performance vs Price ratio Chroma key and Mix - 2 D Virtual Sets
Forward Series Server structure l l Unique hardware for Server: FD 300 board Big set of software package: l l l Automation schedule (On. Air) Ingest capture Titling Remote workplaces H/W and S/W Optimized for Automation
FD 300 H/W Functions DSP
FD 300 H/W Digital Signal Processing To VIDEO ENCODER Form FPGA MIXER
FD 300 H/W Board Internal Structure of DSP Video Mixer
Technology Highlights: FD 300 Input/Out Diagram Balanced Audio and Active In/out signal Proc.
FD 300 H/W Built-in audio mixer/delay unit l l l Up to 6 analog or 2 digital audio inputs/outputs Selectable delay per channel (up to 1000 ms) Multiple simultaneous outputs available
FD 300 H/W configuration s/w
FS 1000 softwares l l Forward On. Air S/W– automated scheduled playback video and titles Forward Title software: l l Title Designer Title generation utility Forwards Capture (ingest) Forward Video/Audio real time editing
FS On. Air: Broadcasting Automation l l Forward 1000 On. Air software l l Flexible combination of schedule and interactive controls Multiformat media representation and operation Real-time editing and updating provides l l l An opportunity of updating of any not yet executed part of the schedule Dynamic check of a correctness of the schedule Bypassing erroneous tasks Recording all actions of the operator and all successfully executed tasks to a LOG-file The adjustable interface for operative creation of the schedule from the prepared materials Automatic restore of execution of the schedule after emergency reset of systems
FS On. Air: Interactive Controls Audio and Video Control Panel Titling Control Panel
FS On. Air: Media access • Pictures with Alpha • Movies with Alpha • Sounds • Virtual Post. Play clips • NLE projects • External events • Title scripts • Title objects
FS On. Air: Schedule Control • On-line Schedule Visualisation and Editing • Dual window operation • Trim-editor • Cross-fade • Alarm on incidents • Log-book
Multi-instance Applications Title & Video separate schedule
FS On. Air: Broadcasting Automation Architecture
FS On. Air: Functional Diagram Broadcasting Automation system
FS On. Air multi-layer titles On. Air application Title engine (mix images) Title object 1 F 9 Title object 2 F 10 Title object 3 F 11 Title element 1 (crawl) Title element 2 a (AVI) Title element 3 (Clock) Title element 2 b (roll) Output video
FS Title Designer Multi-layer Titles Compositor
Forward Title Creation - any style of OWN stype can be created.
FS TV Clock Designer Any clocks what you can imagine
Image Updater Dynamic titles generation from any text
Movie. List Editor Playback movies in Titles Engine Scheduled playback of pictures and movies with or without transparency layers inside titling objects (PIP)
FS Web. Tracker Automated Monitoring of WEB for news
Dynamic update of title images On. Air application Title engine (mix images) Static image title object 1 Static image title object 2 Read image every second Image 1 (graphic file) Crawl title object 3 Read image every second Image 2 (graphic file) Read crawl image by image Crawl images (graphic files) 3 -d party software (update the images) Output video
Automatic Dynamic Titling from updated Text Files On. Air application Title engine (mix images) Static image title object Read image every second Image 1 (graphic file) Image. Updater application Read text every second Text 1 a Text 1 b Static image title object Read image every second Output video Crawl title object Read crawl image by image Image 2 (graphic file) Crawl images (graphic files) Image. Updater application Image. Updater application Read text every second Text 2 3 -d party software (update the text files)
FD Capture: Uncompressed/Multiformat Capture Batch Capturing Via VTR control or Scheduled Recording Software Multi. Format Codec: § Uncompressed § I-MPEG-2 § Motion JPEG § DVC Pro. etc. Capture drive support § § Direct Show filter Video For Windows Capture SDK Windows
FD AV Studio: Video / Audio editing software Real-Time Editing Studio Optimized for Video Server Project Preparation
FS 2000 Server l l Post. Play server – file storage with automatic data cleaning Post. Play Video. In – capture video and audio Post. Play Preview – clip selection On. Air – playback selected clips
Post. Play operation Ingestion Reschedule Play Edit
FS 2000 vs FS 1000 + Dramatically decrease operator usage + More safety (no human errors) – On. Air can not switch from one LIVE 1 to LIVE 2 or LIVE 3 – More CPU requirement
FS 3000 Sports Replay Server For Slow Motion Instant Replay
FS 3000 • Based on technology of Post. Play system. Ability to edit and play back video with out stopping recording. • Allows capturing of up to 4 video channels and replaying any of them at any speed, from any specified position. • Main purpose of the system – replay goals, offsides, penalties and other sport moments from best view. • Very short delay between the moment and replay (~2 -3 seconds).
FS 3000 Sport Server features l l l Management of system through keyboard, mouse, Touch Screen, or external switcher. Integration with a video equipment through GPI. (start/stop, GPI-in/GPI-out) Insertion of a static or dynamic logo. Easily playback all the highlights at the end of the game. 2 channel or 4 channel models. Compact, integrated, ready to work.
FS 3000: console user interface
FS 3000 Server
FS 3000: Replay console user interface
K M 3 0 0 Innovative color keying toolkit Chromate backdrop material Light emitting ring for camera Color keying interface card
KM 300 Digital Key Machine Automatic Digital Keying - Easy to use Enhanced Mask Filtering/Clipping • Static/Animation(JPEG, DV, MPEG 2) • Live Video Background • Optimized for SVHS as well
KM 300 l l l Unique chroma key especially designed for low-cost studio Up to 2 cameras with independent chroma key settings Decoration: live, movie or still images Automatic settings Presets
Digital Chroma Keyer Advantage - Fully Integrated - Fast Setting - Not so sensitive with Color and Light Full Intelligent Automatic Key Set up. Special Noise filter. . - S-video/Composite Support
KM 300: Chroma key l Unique algorithms of chroma key for low-budget cameras
K M 30 0 The powerful kit offering superior video digitizing and keying performance - High quality automatic keying with manual adjustments of fine details - Convenient user interface for both simple and advanced applications - Multiple Composite, S-Video and YUV Component inputs with built-in TBC - Optional SDI video input/output - Genlocked video outputs with user-defined delay - Key output channel for external mixing
KM 300 advantages • Improved tolerance to the lights and background inconsistencies • Lower sensitivity to the image noise caused by video cameras • Reduced cost of virtual set studios • Excellent source for real time 3 D video effects
H/W Specifications (FD 300) Video Formats: l Uncompressed YUV 4: 2: 2, l MPEG 1, MPEG 2 (with/without Alpha) l DV, MJPEG (with/without Alpha) Video Standards: l NTSC (720 x 480) or PAL (720 x 576) Video switcher Inputs: l Up to 6 Composite (RCA, 75 Ohm) l Up to 3 S-Video (4 -pin mini. DIN, 75 Ohm) l Up to 2 YUV Component (BNC, 75 Ohm) l Optional SDI (BNC) l Sampling format: l YUV 4: 2: 2, 8 -bit
Specifications (Forward 300) Video Outputs: l Composite (RCA, 75 Ohm) l S-Video (4 -pin mini. DIN, 75 Ohm) l YUVa Component (BNC, 75 Ohm) l Optional SDI (BNC) l Sampling format: l YUVa 4: 2: 2: 4, 8 -bit Color Keying: l Two independent channel of table-based color key with color correction and color mask filtering and clipping
Specifications (Forward 300) Alpha Channel: l Real time 8 -bit Alpha mixing of live video with CG images or compressed video Time Base Correction: l Dual channel TBC Genlock: l Outputs genlocked to any video input with programmable delay Special I/O options: l CCIR 656 input/output interface l back drop material.
KM 300 is an all new color keying toolkit from Darim Vision. It delivers sophisticated real time keying functionality that will amaze even the most experienced video professionals - yet the KM 200 is easy to use. In KM 300, we at Darim Vision have combined the world’s latest advances in light reflecting technology with our video engineering experience. Thanks to the uniform light emitter and unique PC add-on hardware with table-based keying, color correction, mask filtering and clipping, KM 200 can separate very fine details and transparent objects in the foreground from the back drop material. Technically, this enables the background to be easily - without bleeding around the edges of the talent - substituted
Thank you Darim Vision


