Скачать презентацию Florence Santa Maria del Fiore Duomo Скачать презентацию Florence Santa Maria del Fiore Duomo

Florence.pptx

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Florence Florence

Santa Maria del Fiore (Duomo) Santa Maria del Fiore (Duomo)

The exterior of the basilica Front facade of the cathedral The exterior of the basilica Front facade of the cathedral

The wide central nave The wide central nave

Interior Dante and the divine comedy Interior Dante and the divine comedy

Funerary monument of sir John Hawkwood Monochrome fresco, transferred on canvas Funerary monument of sir John Hawkwood Monochrome fresco, transferred on canvas

Vasari’s fresco Begun in 1568 , and completed by Federico Zuccaro in 1579 Vasari’s fresco Begun in 1568 , and completed by Federico Zuccaro in 1579

San Lorenzo San Lorenzo

Interior Interior

Santa Croce (Basilica of the Holy Cross) Santa Croce (Basilica of the Holy Cross)

Interior Interior

Funerary monuments Michelangelo’s tomb Galileo’s tomb Funerary monuments Michelangelo’s tomb Galileo’s tomb

Santa Maria Novella Santa Maria Novella

Side view from Unità d'Italia Square Side view from Unità d'Italia Square

Spanish Chapel Spanish Chapel

Santa Trinita (Holy Trinity) Santa Trinita (Holy Trinity)

Interior of the Sassetti Chapel Fresco by Domenico Ghirlandaio Interior of the Sassetti Chapel Fresco by Domenico Ghirlandaio

Interior of the Bartolini Salimbeni Chapel Fresco by Lorenzo Monaco Interior of the Bartolini Salimbeni Chapel Fresco by Lorenzo Monaco

Palazzo Pitti Palazzo Pitti

The garden front facing the anfiteatro of the Boboli Gardens The garden front facing the anfiteatro of the Boboli Gardens

Palazzo Medici Riccardi Palazzo Medici Riccardi

Inner courtyard Inner courtyard

Interior Interior

The Palazzo Vecchio ( «Old Palace» , Palazzo della Signoria The Palazzo Vecchio ( «Old Palace» , Palazzo della Signoria

Interior First courtyard Interior First courtyard

Interior. Salone dei Cinquecento (Holl of Five Hundred) Interior. Salone dei Cinquecento (Holl of Five Hundred)

If in the XIV century, it was a prevailing sense of reverential envy, then If in the XIV century, it was a prevailing sense of reverential envy, then from the first years Quattrocento it is growing sense of rivalry and even superiority ". . . Flower Tuscany, Italian mirror, a rival of the glorious city of Rome, from which it originated, and which mimics the ancient greatness, fighting for the salvation of Italy and its freedom "-Coluccio Salutati

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