2011 -2012, 3 rd year, Odintsovo

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  2011 -2012, 3 rd year,  Odintsovo Institute,  Alieva K. 2011 -2012, 3 rd year, Odintsovo Institute, Alieva K.

  Conversational Style Conversational Style

  The most commonly used type of intonation style. Can also be called ‘ familiar The most commonly used type of intonation style. Can also be called ‘ familiar ’, as it is best known to all English-speakers; or ‘ informal ’

  Conversational style is used for everyday  communication  and is heard in natural Conversational style is used for everyday communication and is heard in natural conversational interactions. It mainly occurs in informal situations between well-acquainted people.

  It is classified as spontaneous ,  colloquial  and informal. It is classified as spontaneous , colloquial and informal.

  Linguistic features: -1 - Strong relation of extralinguistic factors -2 - Unpredictable,  unplanned Linguistic features: -1 — Strong relation of extralinguistic factors -2 — Unpredictable, unplanned -3 — Non-fluent

  Grammatical features: -1 - Lots of compound sentences introduced by “You see…”, “I mean…”, Grammatical features: -1 — Lots of compound sentences introduced by “You see…”, “I mean…”, etc. -2 — Frequent use of interrogative sentences -3 — Rare use of Imperative sentences

  -4 - Common use of vocatives -5 - Rare use of nominal groups (personal -4 — Common use of vocatives -5 — Rare use of nominal groups (personal pronouns instead) -6 — Lots of question tags -7 — Lots of repetition -8 — Occurrence of contrasted verbal forms (I’ve. He’s, etc. ) -9 — Lots of colloquial ellipses.

  Prosodic features ( Prosodic – having do with intonation and pronunciation of stressed and Prosodic features ( Prosodic – having do with intonation and pronunciation of stressed and unstressed syllables)

  -1 - Conversations fall into coordinated blocks ,  consisting of suprasegmental and supraphrasal -1 — Conversations fall into coordinated blocks , consisting of suprasegmental and supraphrasal units

  -2 - Due to lack of emotion range and depth restrictions, and entire range -2 — Due to lack of emotion range and depth restrictions, and entire range of effects is available

  -3 -  Intonation groups are rather short , and tend to be broken -3 — Intonation groups are rather short , and tend to be broken in structure (decentralized stress, sudden intonation changes)

  -4 -  Heads used – mostly Level , sometimes Falling -4 — Heads used – mostly Level , sometimes Falling

  -5 -  Falling and rising tones common for nuclei ; high pre-nuclear -5 — Falling and rising tones common for nuclei ; high pre-nuclear syllables are frequent

  -6 - Extremely varied tempo ;  pauses may occur at random -6 — Extremely varied tempo ; pauses may occur at random

  -7 - Interpausal stretches lead to rhythmic isochrony -7 — Interpausal stretches lead to rhythmic isochrony

  -1 - Conversations fall into coordinated blocks , consisting of suprasegmental and supraphrasal units -1 — Conversations fall into coordinated blocks , consisting of suprasegmental and supraphrasal units -2 — Due to lack of emotion range and depth restrictions, and entire range of effects is available -3 — Intonation groups are rather short , and tend to be broken in structure (decentralized stress, sudden intonation changes)

  -4 -  Heads used – mostly Level ,  sometimes Falling -5 - -4 — Heads used – mostly Level , sometimes Falling -5 — Falling and rising tones common for nuclei; high pre-nuclear syllables are frequent -6 — Extremely varied tempo ; pauses may occur at random -7 — Interpausal stretches lead to rhythmic isochrony

  Thank you for Your attention Thank you for Your attention

  2011 -2012, 3 rd year,  Odintsovo Institute,  Alieva K. 2011 -2012, 3 rd year, Odintsovo Institute, Alieva K.