Venus de Milo (Венера Милосская) Tagbergenova Aliya Inro-207
Venus de Milo (Венера Милосская) Tagbergenova Aliya Inro-207
Biography Venus de Milo" (Aphrodite from the island of Milo) - ancient Greek sculpture, created between about 130 and 100 years BC. History of creation: The conquests of Alexander the Great contributed to the spread of Greek culture far beyond the borders of Greece. From now on the immediate neighbors of Greece was a lot of different people. This brought a new realism in the art of that period. Artists began to prefer the image of various facets of human nature. Even those statues of the gods are now lent traits of real people.
Description The statue of the goddess of love Aphrodite made of white marble. It is a type of Cnidus Aphrodite (Latin Venus pudica, Venus bashful.): Goddess, stick hand fallen robe. For the first time this type of sculpture carved Praxiteles around 350 BC. e. The height of the statue of Venus de Milo - 2.02 m, body proportions at recalculation on the growth of 164 cm make 89-69-93
History of discoveries: The place where the statue was found It was found in 1820 on the island of Milos (Melos) - one of the Cyclades islands in the Aegean Sea in the following circumstances. French sailor Olivier Vute decided went down to the shore, look for ancient times (at the time there was a boom in the ancient times) for sale. On a couple of the local farmer Giorgos Kentrotasom he dug up a statue in the ruins of the ancient amphitheater.
Classification and location: First article related to the classical period (510-323 years BC..); while the authorship attributed to Praxiteles. But it turned out that the statue was brought and the pedestal on which it was written that Agesandr (or Alexander, the inscription was illegible), the son of silverside, a citizen of Antioch on the Meander, has made this statue. Thus, the statue belongs to the Hellenistic period. Subsequently, the pedestal was gone and was not found until now. Venus de Milo
Thank you for your attention!
A Universal Man He always wanted to write a treatise on painting (like Alberti), but never did. He seems to have not mastered Latin, the language of scholarship. - or perhaps he was simply too busy.
The Notebooks Leonardo kept notes on everything. Around 5,000 pages still exist. However, he used mirror-writing to ensure privacy while and after he wrote. More mundanely, perhaps he did so because he was left handed and found this easier.
The Notebooks Leonardo made notes on everything. His notes and sketches reveal a mind constantly searching for understanding. He was constantly examining and disecting the world.
The Notebooks His studies were large and small – from anatomical studies of the human arm to plans for a bridge to cross the Golden Horn in Istanbul.
The Notebooks Curiously, the Sultan declined building Leonardo’s span, thinking it impossible. In 2006 the Turkish government commissioned Bulent Gungor to build the structure.
Poor Completion Record He had a reputation for not completing works. Involved in so many things, he could not manage his time. When given the commission for the Virgin of the Rocks, he promised it within 7 months but did not deliver it until 25 years later.
The Great Horse In the 1480’s he began work on the largest equestrian statue ever attempted, at 26 feet in height and requiring 100 tons of bronze. The clay model was not completed until 1493. His bronze stockpile was cast into canons to fight the French. In 1499, the French used his clay model for target practice. Until 1965 it was assumed that the statue was never caste because of technological problems. However, close study of his notebooks reveal that he solved the problem on paper.
The Last Supper Leonardo was commissioned to paint this for the refectory of a Dominican monastery. He disastrously decided to use oils, instead of fresco, on the damp walls. It deteriorated almost immediately.
The Last Supper Painting in fits and starts, and usually with hired musicians playing for him, the project dragged on to the point where the monks threatened to lock him in until the work was finished. Legend has it that Leonardo retaliated by painting the abbot as the image of Judas.
In Florence. From 1500 to 1513 he lived productively in Florence. There he competed, with Michelangelo, for a large battle mural for the town hall. This work was lost when he again attempted a new medium – oil and varnish. Michelangelo also failed to complete his work.
The Mona Lisa (La Giaconda) This oil on panel is his most famous work. Begun in 1503, it was still in his possession when he died in France. Salai sold it to the French King for 4,000 ecus, and so it now resides in the Louvre.
The Mona Lisa (La Giaconda) The subject is Lisa Gherardini, wife of Francesco del Giocondo. The pyramidic design is one often employed by Leonardo. The etherial landscape reveals his characteristic sfumato and the path reinforces the tendency of the eye to follow a triangular pattern.
The Mona Lisa (La Giaconda) The enigmatic smile is most frequently commented on. His capture of this transient expression displays unparalleled virtuosity.
The Mona Lisa (La Giaconda) There is a hypothesis that this is actually not a direct portrait of a Florentine woman at all – or that da Vinci has placed elements of his own image in the portrait..
Leonardo in Rome In 1513, Leonardo departed to Rome, to avoid being hounded to complete the civic mural. Pope Leo X was loathe to commission the great artist, knowing his reputation for not completing his work.
Leonardo in France In 1516, Leonardo was invited to join the court of France’s Francis I – a great patron of the arts. There, he spent his last years in luxury, chatting with the King and fussing with his manuscripts.
Leonardo in France Leonardo’s home was just a short distance from Francis’chateau at Amboise. He is rumoured to have died in Francis’ arms. Francis said of him: “no man has been born who knew as much as Leonardo.
Finish
28318-venus_de_milo.ppt
- Количество слайдов: 24