FRAMED UP 2 Tony Bevan, Building Props, 2000

FRAMED UP 2 Tony Bevan, Building Props,

Artinwhichemphasisisplacedonthemeansandprocessesof producingartobjectsratherthanontheobjectsthemselvesandin whichthevarioustoolsandtechniques, asphotographs, photocopies, videorecords, andtheconstructionofenvironmentsandearthworks, areusedtoconveythemessagetothespectator. Conceptual Art

1. theactorfacultyofperceiving, orapprehendingbymeansofthe sensesorofthemind; cognition; understanding. 2. immediateorintuitiverecognitionorappreciation, asofmoral, psychological, oraestheticqualities; insight; intuition; discernment: an artst of rare percepton. Perception 1. therenderingofsomethingintoanotherlanguageorintoone’sown fromanotherlanguage. 2. aversionofsucharendering. Translation 1. thefeelingofapersonwhoseattention, concern, orcuriosityis particularlyengagedbysomething. 2. somethingthatconcerns, involves, drawstheattentionof, orarouses thecuriosityofaperson: 3. powerofexcitingsuchconcern, involvement, etc. ; qualityofbeing interesting: politicalissuesofgreatinterest. 4. concern; importance: amatterofprimaryinterest. 5. aparticipationinorconcernforacause, advantage, responsibility. Interest

Theo van Doesburg’s Cow

All my work comes from perceiving. I kept seeing things which were brooding in me. I am not a geometric artist. Ellsworth Kelly

When a see a piece of paper, I feel I’ ve got to draw. And drawing, for me, is the beginning of everything. Ellsworth Kelly

…” drawing generates thinking and vice versa. ” Helmut Jahn(b. 1940, Architect)

A sequence of drawings, typically with some directions and dialogue, representing the shots planned for a film or television production Storyboard A storyboard is a graphic organizer in the form of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence.

Mean Streets by Martin Scorsese Caravaggio’s «The Taking of Christ»

https: //vimeo. com/1461280 The rule of thirds is one of the main “rules” in art andphotographyand stems from theory that the human eye naturally gravitates to intersection points that occur when an image is split into thirds

Peter Greenaway I don’t want to be a film-maker. I think painting is far more interesting and profound.

Ridley Scott

Inspirations Antaeus Setting Down Dante and Vergil (William Blake, 1826; oil on canvas) — for Dante’s Divine Comedy Satan Arousing the Rebel Angels (William Blake, 1808: watercolor) — for Milton’s Paradise Lost Prometheus (Ridley Scot, 2012 )

A Philosopher Lecturing on the Orrery (Joseph Wright, 1766; oil on canvas Prometheus (Ridley Scot, 2012 )

Siege and Destruction of Jerusalem (David Roberts, oil on canvas; 1850 Kingdom of Heaven (Ridley Scott,

Original Alien storyboard by Ridley Scott

https: //www. youtube. com/watch? v=6 sbhxzg__k. E https: //www. youtube. com/watch? v=i 9 u. ZA 7 JT 53 c