Exhibition An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within museums, galleries and exhibition halls, and World's Fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs. The word "exhibition" is usually, but not always, the word used for a collection of items. Sometimes "exhibit" is synonymous with "exhibition", but "exhibit" generally refers to a single item being exhibited within an exhibition. Exhibitions may be permanent displays or temporary, but in common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions. Though exhibitions are common events, the concept of an exhibition is quite wide and encompasses many variables. Exhibitions range from an extraordinarily large event such as a World's Fair exposition to small one-artist solo shows or a display of just one item. Curators are sometimes involved as the people who select the items in an exhibition. Writers and editors are sometimes needed to write text, labels and accompanying printed material such as catalogs and books. Architects, exhibition designers, graphic designers and other designers may be needed to shape the exhibition space and give form to the editorial content. Organizing and holding exhibitions also requires effective event planning, management, and logistics.
Stone carving is one of the oldest arts in China, its beginnings dating back to remote antiquity. Although jade, the mineral nephrite, was held in the highest esteem, all stones that could achieve a luster after polishing, be it agate, turquoise, malachite, chalcedony, quartz, jasper, or lapis lazuli, were also appreciated. Stone carving experienced an efflorescence during the Qing dynasty (1644– 1911), when an abundant supply of raw materials, exceptionally accomplished craftsmen, and, in particular, keen imperial patronage contributed to the creation of numerous superb works.
This exhibition features masterfully illuminated pages from two volumes of the magnificent, lavishly ornamented Winchester Bible. Probably commissioned around 1150 by the wealthy and powerful Henry of Blois (about 1098– 1171), who was the bishop of Winchester (and grandson of William the Conqueror and King Stephen's brother), the manuscript is the Winchester Cathedral's single greatest surviving treasure. Renovations at the Cathedral provide the opportunity for these pages, which feature the Old Testament, to travel to New York. This presentation marks the first time the work will be shown in the United States. At the Metropolitan Museum, the pages of one bound volume will be turned once each month; three unbound bi-folios with lavish initials from the other volume—which is currently undergoing conservation—will be on view simultaneously for the duration of the exhibition.
In celebration of the Year of the Ram, the Metropolitan Museum presents a selection of remarkable works drawn exclusively from the Museum's permanent collection. These include lively sculptures of bronze, jade, rock crystal, and celadon porcelain, along with a charming painting of grazing goats by an eighteenthcentury master.
This installation features lengths of fabric for an unmade man's suit and waistcoat, as well as a selection of embroidery samples for fashionable menswear made between about 1760 and 1815. During this period, France was the undisputed epicenter of the European fashionable world, and professional embroidery workshops there produced a dizzying array of colorful designs from which a man could choose. The installation features a copy of L'Art du Brodeur (The Art of the Embroiderer), which was published in Paris in 1770. This book contains detailed descriptions about subjects such as preparing fabric to be embroidered and the variety of threads used in a workshop, as well as illustrations of designs for men's suits.
The most outstanding examples of first-century Roman moldblown glass were produced by the master glassworker Ennion, the focus of this exhibition. With twenty-four examples from collections in Israel, Europe, and the United States, it is the largest gathering of his work to be displayed in an exhibition. Works by other named glassworkers—such as Jason, Neikais, Meges, and Aristeas—are also on view, along with a selection of unsigned mold-blown glass vessels that illustrates the profound influence Ennion exerted on the nascent Roman glass industry.
The permanent collection of the Department of Arms and Armor is one of the most encyclopedic in the world. To highlight the ongoing development of the collection's multicultural and interdisciplinary nature, this exhibition focuses on approximately forty works from Europe, the United States, Japan, India, and Tibet acquired between 2003 and 2014. Beyond the well-established categories of finely decorated armor, edged weapons, and firearms, the selection features drawings and prints, textiles, and other materials that are vital, but often unrecognized, aspects of the understanding and appreciation of arms and armor as a universal art form.
The figures created by Mbembe master carvers from southeastern Nigeria are among the earliest and most visually dramatic wood sculptures preserved from sub-Saharan Africa. Created between the seventeenth and nineteenth centuries, and striking for their synthesis of intense rawness and poetry, these representations of seated figures—mothers nurturing their offspring and aggressive male warriors—were originally an integral part of monumental carved drums positioned at the epicenter of spiritual life, the heartbeat of Mbembe communities.
Louisiana heiress and philanthropist Matilda Geddings Gray (1885– 1971) acquired her first object by Fabergé in 1933. An artist herself, with a refined aesthetic sensibility, she was a sophisticated collector, while the name of the Russian artistjeweler Peter Carl Fabergé (1846– 1920) was almost unknown in the United States. Over the following years, Matilda Geddings Gray amassed one of the finest Fabergé collections in the world, and Fabergé's art has become widely known and internationally sought after.
Глоссарий Русский Қазақша English Выставка Көрме Exhibition Выставка картин Сурет көрмесі Exhibition of paintings Зритель Көрермен Spectator Всемирная выставка Дүниежүзілік көрме Worlds fair Сольный показ Соло шоу Solo shows Графический дизайн Сызбалық дизаин Graphic design
Скачать презентацию Exhibition An exhibition in the most general
At the exhibition Алтынай презентация.pptx